Circadian rhythms essay
a little obvious with Back In The Woods a kissing cousin of The Weight, Blown On The Breeze harking closely to CSN Y, and When The Lights Go Down sounding like some lost Slim Chance dusty folk blues. The disc concludes with a typically idiomatic runthrough of the Lightnin' Hopkins arrangement of Blues In The Bottle and a gentle gospel-style treatment of John Hardy that's given extra resonance by the presence of Olabelle and then a prominent lonesome keening fiddle (Tim again). Stone In My Shoe is more in the style of Little Walter's playing while S'picious Woman is likely to be a British blues classic of the future. He's a strong singer: strong enough to risk performing a good proportion of his repertoire acappella, whereas for the remainder of the time he accompanies himself on the concertina or guitar. Having not heard that album, I was a mite puzzled by the followup, We're Smiling, which I reviewed quite late in the day, finding it a slightly wayward and yet more than intermittently promising collection that purely in sound terms owed more to alt-indie-rock and. This was classic rock and roll on an epic scale. As I've already hinted, in the past I've actually been quite readily seduced by Cosy's highly individual brand of often wicked, and almost always entertaining, songwriting. As you can hear on her earthy and committed handling of repertoire classics like Twelve Gates To The City, Travelin' Shoes and Hank Williams' Ready To Go Home (in this respect, it's a pity Eilen doesn't get to take the lead on a few more. It turns out to be by Granville (Rush) himself, and perfectly sums up Les and his affable personality; the slogan "Les Is More" emblazoned on his T-shirt alludes both to that quality of economy of expression in his songwriting and (slyly!) to his big-heartedness and. Allan Hobson discusses the function of dreams, explaining his theory of the biological mechanism behind the phenomenon and reflecting on the contribution of dreaming to human creativity. M Mike Davies If I Had A Song: The Songs Of Pete Seeger, Vol 2 (Appleseed) Steve Earle, Jackson Browne Joan Baez, Billy Bragg with Eliza Carthy, John Wesley Harding and the Minus 5, Dar Williams Toshi Reagon, Arlo Guthrie Pete Seeger, and Kate Anna.
Circadian rhythms essay
Which just leaves the two bonus tracks, duetting with Curtis King Jr on a cover of the evergreen Love Of The Common People, a reggae inflected rendition that likely owes a little to the Nicky Thomas version (and does anyone remember the 60s one. After this we're firmly in the Yusuf Islam comeback era, with a world-beater of a performance of Peace Train (from 2003, live at the Royal Albert Hall) and the reasonable enough recent (Yusuf's Café) revisit of The Wind. The song's a heartbreaking reminiscence of a young woman who shared her first kiss with her lover the night before he went to war never to return. P.'s vocal performance style is commanding and full-on, yet his own guitar accompaniment (as we hear on the majority of tracks here) is supremely well controlled, and somewhat more gentle in demeanour than might be expected - and pretty effective for all that. Stoney includes Kiss, Deep Purple, Robin Trower and Led Zeppelin amongst his influences but it was BB King who turned him onto the blues. There's a new land of discovery out there so it's Westward Ho for the Densmore brothers and Silverhawk. M Sue Cavendish Eve Selis - Angels and Eagles (HCT) A San Diego native, she's got a killer voice as big as Southern California, as capable of honeyed sweetness as it is sandpapery rasp. The title track nosedives off a Beefheartian pseudo-Japanese guitar riff to a jabbering cacophony of public-address and into a strident jazz ostinato passage. It seems she's done a runner, prompting him to seek solace in the arms of her sister (how resourceful!). Among the unaccompanied selections, Rosie's heavily ornamented rendition of Davie Robertson's Star O' The Bar is especially electrifying, while her joyous Jug Of Punch is a truly refreshing change from the more-usually-heard (and mechanically joyless) versions, her treatment of Bill Watkin's The Errant Apprentice. " Songs for a whiskey-swilling Saturday night " say The Music Box. Their music has elements of all of these: it's a uniquely exhilarating and fast-moving tapestry of sound that's characterised by a hard-driven yet fluid (and often unexpectedly lyrical) momentum, whether the tempo or pulse of each piece be fast or slower.