Argumentative essay on dancehall music
to the police, knowing all these unwritten rules, will require braveryBut this is unlikely to happen since the community will support your silence as a way of ensuring safety." (Haniff) It is also claimed, "for a woman who is a victim of violence. She does not have the sympathy of the police, the community, or even her relatives who all at some level find ways to blame her." (Haniff) There has been speculation that one reason why the problem of sexual violence in Jamaica is so severe. Dancehall and reggae music are staples of Jamaican life. Many reggae and dancehall artiste sing about the current social, economic and political climate present in their communities, the country and by extension, the world. "Murder rates for women in Jamaica, although not as high as for men, are still alarming: 64 women were murdered by men in 1993, and over half of them were between the ages of 13 and." (Haniff) Furthermore, it is likely that many more. Many of the youths in Kingston borrowed the names of the most violent of these characters of the American films, with musicians under the names of "Dillinger "Clint Eastwood and "Frisco Kid." The urban poor, suffering from lack of role models, broken families, and second-rate. "Where have all the rebel music gone? As such, clannish divisions have been created in segments of the society as fans latch on to their favorite artiste and their cohorts of whom many wear various paraphernalia depicting their preference and or allegiance. What would Jamaica be without dancehall and reggae? Under this act, if a person is found guilty of possessing an unlicensed firearm, or even a few bullets, he receives a mandatory sentence of 'detention for life with hard labor'." (Barrett, 14).
Haniff argues, "Our people are being shaped by the easy access to guns and the glorification of 'nuff respect and big up of gun man'." Haniff claims, "the guns are shaping us- giving us false power, making us garrison communities". The term reggae is also applied today to reggaes precursor styles, including mento, ska, and rock steady. Lift up mine eyes from whence cometh help.
(World Book encyclopedia, 2000). It may be undeniably true that dancehall has betrayed some of the working paper central tenets of the Rastafarian faith and represents a step backwards since the great days of Bob Marley and Burning Spear. Marley combined soulful melodies with strident lyrics that were informed by the Biblical mysticism and Afro-Caribbean awareness of the Rastafarian religion. While the violence that Buju Banton sings against in "Murderer" is for him a local issue the revival of socially conscious lyrics contains larger themes, applicable to much of the developing world. The genealogy of this overtly sexual dimension of reggae can be traced directly to a long established, indigenous musical tradition: mento. This renewed focus on the Rastafarian faith has produced visible change as well as lyrical change. In the same article"d above, political analyst Tazhmoye Crawford reported that Teenagers are identifying music, mainly of the dancehall genre, as a trigger for early sexual intercourse. In Banton's song "Untold Stories" one of the messages is the difficulties of poverty. (Chude-Sokei) While it can be argued that this reality is lacking sensibility and decency, it should be compared to what the music of roots reggae spoke against. Barrow, Steve, and Peter Dalton.